Chapter 4. The Million – Terminal Transit (extract)

mainimg

The repercussions of the liberation of the zoo shook the city for days afterwards but before anyone was able to properly settle a further cosmic tragedy took place when the now-presence of the NotBeSpeak caused Glasnevin Cemetery to give back all those who had ever been buried there since its opening in 1832 and a million dead people suddenly found themselves reanimated and as the television cameras cast their digital eye on this new phenomenon so this army of shuffling, staggering, crawling, limping, ambling corpses started to make their baleful way back to find those who had buried them in the first place, flowing, as they did so, like the rot-crested froth of some awful cadaverous stream.

The first problem that presented itself regarding the Million, as the media dubbed them, notwithstanding the general existential terror created by the dead coming back to life, was the inevitable chaos that their presence caused on the streets. With the city now changed beyond all recognition and generations of people having lived (and died) in buildings and at addresses that no longer existed, vast numbers of these returned relatives were able to do nothing more than hang around in the approximate areas they knew when they were alive. Great herds of the hideous soon began to congregate as small groups of lost and dislocated corpses flowed into each other, swelling as they did so and accumulating momentum with a tomb-blasted dreadness that became one more thing to sicken this already revolted city.

For some this tide of dead people became an opportunity for fun to be found and it wasn’t long before hundreds of illegal firearms were being fired at the animated corpses from windows and passing cars. Braver people formed small crews and set upon the cadavers with sticks and gold clubs and hurls, beating already broken bodies into a further pulp. Unlike the undead in every film ever made, the Million had no desire to consume the living and so made easy targets for their attackers, who stalked the edges of their crowds like cunning lions looking for stray antelopes to kill.

Author: Barnaby Taylor

Inspired by his passion for films and video games, Barnaby Taylor loves writing dystopian science fiction and horror. He has recently written the VIRO series about a gang of teenagers struggling to survive in a world overrun by the infected. There are currently three books in the series and Book Four is on the way. VIRO is rapidly infecting the Amazon charts and gaining rave reviews along the way. Here's one of the latest reviews: 'I found myself sucked right into the characters and never-ending action and gore page after page. I very rarely buy books, but immediately purchased number two which I found equally as engrossing. Yesterday I bought book three in the VIRO series and instead of a good night's sleep I've got red eyes and a need for Red Bull! Fantastic series for all my zombie lovers out there!' Book One is currently FREE to download at the following links: http://bit.ly/VIRO1UKKindle http://bit.ly/VIROBOOK1 Barnaby posts weekly updates on his writing on his blog and you can follow these updates at www.falconboy.ie. You can also find him on Twitter @BarnabyFTaylor.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.