The repercussions of the liberation of the zoo shook the city for days afterwards but before anyone was able to properly settle a further cosmic tragedy took place when the now-presence of the NotBeSpeak caused Glasnevin Cemetery to give back all those who had ever been buried there since its opening in 1832 and a million dead people suddenly found themselves reanimated and as the television cameras cast their digital eye on this new phenomenon so this army of shuffling, staggering, crawling, limping, ambling corpses started to make their baleful way back to find those who had buried them in the first place, flowing, as they did so, like the rot-crested froth of some awful cadaverous stream.
The first problem that presented itself regarding the Million, as the media dubbed them, notwithstanding the general existential terror created by the dead coming back to life, was the inevitable chaos that their presence caused on the streets. With the city now changed beyond all recognition and generations of people having lived (and died) in buildings and at addresses that no longer existed, vast numbers of these returned relatives were able to do nothing more than hang around in the approximate areas they knew when they were alive. Great herds of the hideous soon began to congregate as small groups of lost and dislocated corpses flowed into each other, swelling as they did so and accumulating momentum with a tomb-blasted dreadness that became one more thing to sicken this already revolted city.
For some this tide of dead people became an opportunity for fun to be found and it wasn’t long before hundreds of illegal firearms were being fired at the animated corpses from windows and passing cars. Braver people formed small crews and set upon the cadavers with sticks and gold clubs and hurls, beating already broken bodies into a further pulp. Unlike the undead in every film ever made, the Million had no desire to consume the living and so made easy targets for their attackers, who stalked the edges of their crowds like cunning lions looking for stray antelopes to kill.
Inspired by his passion for films and video games, Barnaby Taylor loves writing dystopian science fiction and horror. His most popular books are the four volumes of the VIRO series, available in paperback and electronic form. They can also be ordered at all good bookshops.
Book One is available for FREE download.
Barnaby is currently developing the VIRO series for television and is interested in speaking to anyone who believes that they can help him take VIRO and his various other exciting projects to the next level.
Barnaby posts weekly updates on his writing on his blog and you can follow these updates at www.falconboy.ie. You can also find him on Twitter @BarnabyFTaylor.
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