The Eleventh Film – Horror/Science Fiction Flash Fiction Series

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The Eleventh Film IX

The scars that the Earth now bore could best be seen in the varied spores of decay. The shift from life to death is laid before us like a portrait of the end of the world.

Each mould sits heavy like so much paint on the canvas. Or hangs like a poisoned star in the sullen night.

The Eleventh Film – Horror/Science Fiction Flash Fiction Series

The Eleventh Film VII

Some thought it had to be negligence.

Others proffered chance as an explanation.

A by-product of progress.

An unforeseen response to technological change.

It was all of naught.

There was no suitable analysis.

The cosmic die had been cast.

They were among us now.

Summoned by the Eleventh Film.

It was now simply as if they had always been here.

‘The Eleventh Film’ – Netflix Pitch #1

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What does the silver screen screen? It screens me from the world it holds – that is, makes me invisible. And it screens that world from me – that is, screens its existence from me.

Stanley Cavell, The World Viewed

 

The Eleventh Film

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The first public film screening organised by Auguste and Louis Lumière took place on December 28th 1895 at the Salon Indien du Grand Café in Paris. Eleven short films were on the bill that night. Each film was 17 meters long, which, when hand cranked through a projector, ran approximately 50 seconds. Only ten films are listed for posterity.

  1. La Sortie de L’Usine Lumière à Lyon (Workers Leaving the Lumière Factory ) (46 seconds)
  2. Le Jardinier (L’Arroseur Arrosé) (The Gardener, or The Sprinkler Sprinkled) (49 seconds)
  3. Le Débarquement du Congrès de Photographie à Lyon (The Disembarkment of the Congress of Photographers in Lyon) (48 seconds)
  4. La Voltige (Horse Trick Riders) (46 seconds)
  5. La Pêche aux poissons rouges (Fishing for Goldfish) (42 seconds)
  6. Les Forgerons (Blacksmiths) (49 seconds)
  7. Repas de bébé (Baby’s Breakfast) (41 seconds)
  8. Le Saut à la couverture (Jumping onto the Blanket) (41 seconds)
  9. La Places des Cordeliers à Lyon (Cordeliers Square in Lyon) (44 seconds)
  10. La Mer (Baignade en mer) (The Sea/Bathing in the Sea) (38 seconds)

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The eleventh film was called The View of Pazuzu returning to the World – a desert scene, with a half-buried broken statue and the wind blowing. It ran for only one second and was not noticed by the audience.

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At the very moment that cinema was born the world’s fate was sealed and so the birth of one thing brought about the death of another.

With a new portal open, the passage from Beyond becomes possible once more.

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